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Misheck Masamvu's Safety Pin in Sunday Times

Zimbabwean artist Misheck Masamvu has been exploring the sociopolitical and economic turmoil of post-independence Zimbabwe through his artwork which he has been exhibiting across the world since 1999.

In his latest exhibition with Goodman Gallery, he explores intergenerational relationships and maternal links in his expressionistic and colour-rich landscapes and sculptures.

As the write-up of the exhibition says, “This exhibition leans towards abstraction formed through frenetic mark-making through which the artist works through his fears, anxieties and dreams.

“The title is suggestive of a precarious holding together all of the feelings, thoughts and reflections that feed the work. of new paintings and sculptures.”

Read full article here